Home
2009


Popcorn Review PDF Print E-mail

Centenary Theatre Group (CTG), at their Chelmer Community Centre, portray Ben Elton’s comedy, Popcorn. Rolling out the red carpet for a full house, CTG bring this challenging, two dimensional satire to life with over the top egos, Hollywood duplicity and sex on a stick. Clearly a fan, Rod Felsch directs a cast of nine into a surreal and vapid existence that is Ben Elton’s imagination of all things American.

Bruce Delamitri (Gary Kliger) is nominated for an Oscar for his larger than life, rock your socks off, killing spree extravaganza. Playing down his chances of receiving the Gong with cynical business manager Karl Brezner (Chris Vaag), he later returns from the Kodak Theatre with gold statuette in one hand and nude model … sorry, actress Brooke Daniels (Annah Lane) in the other. Tonight is a celebration, except the two celebrity psychopath killers who have based their killing spree on Delamitri’s film have decided to pay him a visit. Wayne Hudson (Stephen Quinn) and girlfriend Scout (Alice Long) create a hostage drama of their own collecting more moths to their flame in the form of Delamitri’s wife, daughter and the entire country via the live TV broadcast given by a couple of unfortunate and unwilling CBS crew.

Make no mistake, this is satire that will hit you in the crotch. Drug use, coarse language and perhaps the finest strip tease I’ve seen on stage for a long while backed up with lots and lots of killing. It’s fast paced, all the characters have an edge to them and Gary Kliger makes one hell of an asshole. In fact, his grating, whining, American dialect is so good that at the end of Act Two you just want to punch his corpse to make sure he’s dead.

If you only know of Ben Elton’s television credits you should get out to see this show to see what a hard hitting, pull no punches kind of writer he is. The man just doesn’t like American pop culture and presents you with a cast of characters with absolutely no redeeming features at all. And it is hilarious. All the cast have it nailed, they are brash, dishonest, scary and out for number one and only number one. Ms Lane as Brooke Daniels is ‘one hell of a broad’ and even has some excellent one liners while bleeding slowly to death. Mr Quinn shines as the morally superior serial killer, Wayne Hudson and is backed up deliciously by the simplistically innocent Alice Long as Scout.

I would have liked more effort made in set and prop design, I wasn’t completely convinced that I was looking at the latest in movie mogul design and I do question the use of lighting effects that happen in the auditorium behind the audience. It isn’t necessary and only pulls my focus away from the stage. And while I’m on the fittings and furniture some serious discussion needs to be had amongst the committee about the facilities downstairs at the theatre because they are atrocious. But that is a matter for a weekend working bee.

There is some seriously good work going on, on stage at CTG this season, everyone is focused and on cue and the laughs from the audience are loud and consistent.
12 September 2009

Written by Victor Darling
Facebook Group - Community Critique
http://www.facebook.com/group.php?gid=92793163050

 
Review After January PDF Print E-mail

Directed by Margaret Bell

THIS is one of those plays to which almost everyone can relate – either as part of their past or the present. It’s filled with teen anguish and motherly love.

Alex has just finished year 12 and is awaiting his university acceptance letter. It’s that long, long holiday that any parent with a hopeful uni student suffers. It’s a three month languish in no-man’s land for Alex.

He is killing his time with fishing, surfing and lying on the beach watching the girls go. He lives at Caloundra in a holiday house with his mother. He is bored and frustrated by his wait.

Then he meets Fortuna, a girl of similar age and a relationship is formed.

It is a slowly blossoming affair, in an old-fashioned 80s-style, fumbling and insecure courtship between two charming people.

The play, being adapted from a novel has a lot of narrative spots, all done by Alex, which makes the role a particularly difficult one for a young actor.

But Margaret Bell, making her debut as a director after many years of stage management found exactly the right man for the job.

Stephen Quinn is a second year drama student and obviously understands the role well. He’s been there: done that. He is also a tall, bleach haired guy who looks as if he spends hours surfing and lying in the sun.

He played Alex excellently, a true teenager, at times wise and smart others gauche and dumb according to the hormonal balance – and he handled his many pages of dialogue with great assurance as he slipped seamlessly from teenager to narrator.

He had a great rapport with his single mum Tessa, played by Selina Kadell. Selina was terrific as the overworked, possessive mother who was trying desperately to let go of the apron strings.

She won heaps of giggles with her delivery and the scenes between the two were very real.

So too the scenes with Alex and Fortuna, the daughter of a hippy couple who live in the Sunshine Coast hinterland. She was played by Alice Long, who I last saw doing a terrific job in a play called Silly Cow.

I thought her performance in this play was even better. She almost stole the show as was the perfect teenager. She flirted, showed her insecurity and her gentle love-play with Alex was beautiful to watch. She showed her bravado when talking about her rather strange father and invalid mother, and I found myself looking forward to the scenes between the boy and girl.

Fortuna’s father Cliff was bravely played by John White. I say brave because the first thing we see of this eccentric potter is a naked backside. Luckily the front is covered by an apron. The blasé Fortuna explains to the stunned Alex that it’s just the way he works. He feels comfortable

It seems that Cliff is also a singer on the lookout for the final voice for his country band and the bewildered Alex is drawn into the strange family. Fortuna’s mother is Gail, played in very Blanche Dubois sort of way by Selina Kadell in total contrast to her other role.

In the middle of all this are a couple of other characters, a very odd plumber named Fred and a friendly neighbour called Len, who played enthusiastically by Ross Coombes.

The set was impressionistic, covering several different locations and it worked well with Brian Hobby’s atmospheric lighting plot.

It continues at Chelmer until April 4. Bookings on 07 3379 3937.

ERIC SCOTT March 16, 2009 absolute theatre

 


Copyright © 2017 Centenary Theatre Group. All Rights Reserved.
Joomla! is Free Software released under the GNU/GPL License.